• Jochen Lempert: Jardin d’Hiver

    24 January — 29 March 2020


    The show at Le Crédac called Jardin d’hiver (Winter Garden) followed on Sudden Spring and Predicted Autumn, [1] a program that the artist pursued in time with the seasons. Lempert designed an installation of vitrines like botanical cases but holding photo compositions that play out a vegetal motif as the prints of a nature hanging on the promise of renewal. An Ipomoea tricolor (the morning glory), a detail from Botticelli’s Spring, and the floral print of a cotton shirt are elements that form a visual narrative through the play of free conceptual or formal associations fashioned by the artist.

    [1] At the Bildmuseet, University of Umeå, Sweden (2018), and the Musée d’art contemporain de la Haute-Vienne, Château de Rochechouart (2018).

    More info.

  • Dora García: Film (Hôtel Wolfers)

    17—21 December 2019


    Shot in black and white, the film intertwines two narratives. The visual part of the work shows a path through the interior of the famous Maison Wolfers in Brussels, designed by Henry van de Velde. Dora García uses conventions of the subjective camera, which, like a furtive and distracted eye, at a slow and watchful pace, scans the interior of the mansion in decline. Parallel to the image, the audio of the piece develops, transpiring at the same slow pace. It is a description narrated by a male voice that has nothing to do with the images and describes the actions and shots of the only film made by Samuel Beckett, Film (1964), one of the first to use the subjective camera or point-of-view technique. Through this double narrative of audio and video, the artist places us as participating subjects in a scenario that moves between reality and fiction.

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  • Jochen Lempert: Fotos and Büchern (Photos around Books)

    7 December 2019 — 16 February 2020


    For his exhibition at Camera Austria, Jochen Lempert puts his black-and-white photographs in relation to publications from the extensive library on site. The horizontal display gives rise to a visual dialogue by different photographic carrier mediums, so that form- and content-related design patterns are apparent among the books, as well as narratives, typological features, and associative connections.

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  • Koenraad Dedobbeleer: Sache – Gallery of Material Culture

    30 November 2019 — 26 January 2020


    Belgian artist Koenraad Dedobbeleer’s solo exhibition at Kunstverein Hannover is a joint cooperation with Wiels contemporary art center in Brussels and Kunst Museum Wintherhur. The artist’s exhibition in Hannover will consist in further works developed especially for the space. The interplay between outside and inside, which is sometimes overlooked in the museum architecture of the Kunstverein, will receive special attention through the site-specific installations that the artist is planning. For example, he will address and elegantly stage the partially non-existent or invisible heating systems and other special features of the rooms.
    Content-related research on Hannover, particularly on the significance of artistic spaces such as those of El Lissitzky and Kurt Schwitters, but also on the importance of Alexander Dorner, will form the basis of the exhibition. In this way, Dedobbeleer will draw specific reference to Kunstverein Hannover both formally (spatially) and in terms of content (historically).

    More info.

  • Iñaki Bonillas: Inter-medio

    29 November 2019 — 31 March 2020


    Inter/medio is a stage for experiences that take place between the fields of cinema and visual arts. Conceived simultaneously as an exhibition, a book and a learning program, each dimension of the project incorporates strategies from experimental cinema to revisit the outlines traced by the historical development of artistic mediums. It is an invitation to explore transitional zones as stages, narratives, framings, fictions, assemblages and modes of perception that modulate time and presence.

    The exhibition —integrated by the ESPAC Collection and invited artists— includes works by Francis Alÿs, Ghada Amer, Iñaki Bonillas, Daniel Buren, Camel Collective, José Pedro Croft, Daniela Flores, Jorge de la Garza, Concepción Huerta, Elsa-Louise Manceaux, Sam Moyer, Melanie Smith and Sofía Táboas.

    More info.

  • Jochen Lempert: Solo Show

    16 November — 21 December 2019

    SOLO SHOW: CAPRI, Düsseldorf

    Solo show by Jochen Lempert, curated by Gesine Borcherdt, at CAPRI, a non-commercial exhibition space in Düsseldorf founded by Nina Höke and Alexander Sies and their Modern Collections Foundation. The program was curated by Moritz Wesseler until the end of 2014 and is curated by Gesine Borcherdt since 2015.

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  • Xavier Ribas: Cámara y ciudad. La vida urbana en la fotografía y el cine

    31 October 2019 — 8 October 2020


    Xavier Ribas, among with many other photographers and filmmakers, will be part of the exhibition “Cámara y ciudad. La vida urbana en la fotografía y el cine” at CaixaForum Barcelona.

    This exhibition, based on Center Pompidou collections in dialogue with photographs and film material of Spanish collections, traces the history of the fruitful relationship between the city and the camera. The exhibition revolves around several problems, visible through the mix of historical photographs, such as the iconic “Paris by night” series by Brassaï, the surrealist prints by Cartier-Bresson, together with contemporary works such as Philippe-Lorca’s projects diCorcia or Barbara Probst.

    More info.

  • Xavier Ribas: El tráfico de la Tierra

    24 October 2019 — 12 January 2020


    “El tráfico de la Tierra” is a collaboration between photographers Xavier Ribas and Ignacio Acosta and art historian Louise Purbrick.

    This research documents the movement of mineral wealth in Chile and its incorporation into global markets and European landscapes. Saltpeter and copper are its focus. Desert and city, rubble and country houses, ruin and regeneration, landscape and archives, Chile and Great Britain: these are the poles of the same capital circuit based on the transformation of saltpeter and copper as industrial materials.

    In the last five years, Acosta, Purbrick and Ribas have met other artists, photographers, writers, curators, translators and activists and have worked alongside them, sharing their concern for a documentary policy sensitive to the inequalities of extractive industries.

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  • Ana Jotta: Inventória

    19 October — 30 November 2019


    Through a discreet display of objects from the Peter Meeker/Álvares Ribeiro collection and site-specific interventions, Jotta pays a visit to the house that was abandoned for many years, now restored and transformed into a new contemporary art center in Porto.

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  • Patricia Dauder: Coleccionando procesos. 25 años de Itinerarios

    12 October — 8 November 2019


    In 2019, the Botín Centre celebrates the 25th anniversary of Itineraries, the annual exhibition that displays the work of the artists awarded the Botín Foundation’s Visual Arts Grant each year, which has been running since 1993.

    In order to mark the Botín Foundation’s continuous support for the most contemporary artistic practice, the Collecting Practices: 25 years of Itinerarios exhibition includes a selection of works by 25 artists who have been awarded grants over these years, offering a broad perspective of the evolution of the artistic practice since the end of the last century.

    Patricia Dauder’s film “Les Mailens (A Film), 2007” will be shown, along with works by Lara Almárcegui, Basma Alsharif, Leonor Antunes,  Javier Arce, Erick Beltrán, David Bestué, Bleda y Rosa, Nuno Cera, Patricia Esquivias, Karlos Gil, Carlos Irijalba, Adria Julia, Juan López, Rogelio López Cuenca, Renata Lucas, Mateo Maté, Jorge Méndez Blake, Regina de Miguel, Leticia Ramos, Fernando Sánchez Castillo, Teresa Solar Abboud, Leonor Serrano Rivas, Jorge Yeregui and David Zink-Yi to reflect the institution’s commitment to recent art and reveal a close relationship with its 210 grant holders, most of whom are well known artists today.

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  • Matt Mullican: (De)script(ion) of The World

    27 September 2019 — 12 January 2020


    Through the work of Matt Mullican (Santa Monica, California, 1951), Waqas Khan (Akhtarabad, Pakistan, 1982), Andrés Fernández (Madrid, Spain, 1973) and Mareva Mayo (León, Spain, 1986), it will be possible to explore the dimension of writing, symbols, cartography and other forms of depiction that negotiate between the inside and the outside or between the subjectivity of perception and the factuality of the world by exploring, by means of texts and images, a kind of visionary geography presented with a great economy of means, and on the contrary, with top-quality iconic and experiential power which is not only the (de)script(ion) of the world, but which also aims at transforming it through or visions and versions. A (de)script(ion) is a way of noting down, telling and transmitting, but also, and above all, of inquiring.

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  • Dora García: Art Encounters

    20 September — 27 October 2019


    The Art Encounters Biennial is a cross between an experimental art festival and a contemporary art biennial. It focuses on extensive curatorial research which engages in meaningful dialogues with the historical and the socio-cultural contexts of the city of Timișoara. The mission of the biennial is to become a creative meeting point for artists, communities, institutions, and ideas. The third edition of the biennial continues the mission of engaging a wide audience in a debate on the main topics of today’s society, creating a vibrant platform for cultural exchange between the art scenes in Romania and those abroad.
    Next to Dora García, artists like Lawrence Abu Hamdan, Chto Delat, Forensic Architecture, Vilmos Koter, Trevor Paglen and Haegue Yang.

    More info.

  • Ana Jotta: Parterre

    14 September 2019, 16:00—21:00H

    SOLO SHOW: Guimarães, VIENNA

    Solo presentation at Guimarães, project space run by the artists Hugo Canoilas, Christoph Meier and Nicola Pecoraro. The show will open on September 14 from 16.00 to 21.00. Guimarães is only open by appointment.

    More info.

  • Dora García: In praise of misunderstanding

    14 September — 17 November 2019

    GROUP SHOW: Can Palauet, Mataró

    Touring group show curated by Joana Hurtado part of the program of the ODA’s Visual Arts Program of the Diputació de Barcelona. It will travel to different cities. The first show opens at Can Palauet in Mataró next September 14.

    More info.

  • Ana Jotta at Sarah Tritz: J’aime le rose pâle et les femmes ingrates

    13 September — 15 December 2019

    GROUP SHOW: Centre d'art contemporain d'Ivry - le Crédac, Ivry-sur-Seine

    An exhibition of  Sarah Tritz with the works of 29 invited artists : Fabienne Audéoud, Alexandra Bircken, Valérie Blass, Benjamin Bonjour, Bruno Botella, Paul Bourdoncle, Anne Bourse, Stéphanie Cherpin, Claude Chevalier, Maria Corvocane, Morgan Courtois, Liz Craft, Nicole Eisenman, Eugène Engrand, Paul Hugues, Dorothy Iannone, ANA JOTTA, Anne Kawala, Maria Lassnig, Alfred Leuzinger, Stephen Maas, Monica Majoli, Camila Oliveira Fairclough, Gerald Petit, Hélène Reimann, Alberto Savinio, Philipp Schöpke, Hassan Sharif, Maxime Thieffine.

    More info.

  • Dora García: Walking through walls

    12 September 2019 — 19 January 2020


    The thematic exhibition Walking Through Walls presents a contemporary panorama of the artistic responses made to the detrimental effects of human-made barriers, divisions and walls, showcasing works by Dora García, Jose Dávila, Mona Hatoum, Nadia Kaabi-Linke, Christian Odzuck, Anri Sala, Regina Silveira, alongside many others. Acknowledging the location of the Gropius Bau alongside the former Berlin Wall, the exhibition offers a global perspective on the physical and psychological repercussions of coexisting in divided societies. On the occasion of the 30th anniversary of the fall of the Wall, the exhibition is a timely exploration of how barriers can articulate feelings of vulnerability and anxiety, and represent individual and collective identities.

    More info.

  • Koenraad Dedobbeleer: As Long As it Is Striven after, it Goes on Expanding

    6 September — 6 November 2019


    Solo show by Dedobbeleer curated by Ūla Tornau.

    More info.

  • Marc Nagtzaam: Regular Features

    31 August 2019, 14:00—18:00H


    In 1998, Marc Nagtzaam‘s book (SOME), a collection of his text drawings, marked the beginning of Roma Publications. Over 20 years later, Regular Features links Nagtzaam’s work to that of many other artist friends and collaborators. Made between 1992 and 2019, the text drawings in Regular Features are interspersed with 23 artist contributions in the form of inserts, featuring the work of Mark Manders, Louis Lüthi, Sue Tompkins, Stephan Keppel, Steve Van den Bosch, Nickel van Duijvenboden, Sophie Nys, Pierre Leguillon, Batia Suter, Experimental Jetset, Na Kim, Tim Hollander, Lily van der Stokker, Karin Herwegh, Karel Martens, Ruth Wolf-Rehfeldt, Kasper Andreasen, Jochen Lempert, gerlach en koop, Henri Jacobs, Anne-Mie Van Kerckhoven, Marijn van Kreij, and Willem Oorebeek. Regular Features is designed by Marc Nagtzaam and Roger Willems, published by Roma Publications in an edition of 400 copies, signed and numbered.

    More info.

  • Hans-Peter Feldmann: 100 Years

    24 August — 17 November 2019


    Hans-Peter Feldmann made the work “100 Years” between 1996 and 2000. It consists of 101 photographs of which each shows an individual in an age between 8 weeks and 100 years. Age and forename of the portrayed are written on the Passe-Partout. Automatically the viewer starts to compare her own age with the depicted and positions herself in the course of time.
    Feldmann’s “100 years” shows that photography is more connected to the time of its genesis than any other media.

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  • Dora García: Los Romeos

    1 August — 26 October 2019


    The Aichi Triennale, which has been held every three years since 2010, is one of the largest international contemporary art festivals in Japan. In 2019, the festival’s fourth iteration will feature an international contemporary art exhibition alongside film, performing arts and music programs, bringing together over 80 individual artists and artist groups across a range of expressive domains to showcase their cutting-edge works.
    Dora Gacía will show the performance “Los Romeos” on the occasion of Aichi Triennale for the first time in Asia.

    More info.

  • Matt Mullican: Kronos e Kairos. I tempo dell’arte contemporanea

    19 July — 3 November 2019


    The Palatine Hill, where the palaces of the greatest emperors of Rome were built, becomes a monumental scenario with the exhibition Kronos and Kairos. I tempi dell’arte contemporanea.
    The ancient Greeks used to express the notion of time with two opposite but complementary words: kronos and kairos; the first indicating the quantitative duration of the flowing, abstract time; the second, on the other hand, indicating the qualitative aspect, that is the exact moment, the good occasion, but also a specific period of time.
    These are two key concepts of Hellenic religiosityexpressing the sense of balance between man and nature.
    The selected works, both audiovisual and installations, combine with the scenarios of the imperial palaces: from the imposing Severian Arcades to the peace of the Palatine Stadium, from the elegance of the lower peristyle of the Domus Augustana to the spatiality of Sala dei Capitelli.
    Next to site specific works by Matt Mullican, there are works by 14 other Italian and international artists on display; between them Nina Beier, Catherine Biocca, Rä di Martino, Jimmie Durham, Kasia Fudakowski, Oliver Laric and Cristina Lucas.

    More info.

  • Peter Piller: Unselect

    12—21 July 2019


    In this year’s anniversary exhibition, Kleine Humboldt Galerie will explore various forms in which selection appears. At ten different venues, including the 18th century main building Unter den Linden, an abandoned lecture hall and the actively used but hardly known greenhouses in Dahlem, artworks including sculpture, media art, installations and performances will open up different perspectives on selection processes. Using the Humboldt University as a frame, Kleine Humboldt Galerie will create room to discuss the topic of selection and make it accessible for the visitors. Participating artists are next to Peter Piller, artists like Maria Anwander, Jan Bernstein, Nicole Wendel and many more.

    More info.

  • Ana Jotta & Matt Mullican: Viagem ao princípio ida e volta. 30 da Coleção de Serralves

    11 July — 3 November 2019


    Marking the 30th anniversary of the Serralves Foundation, Voyage to the Beginning and Back, The Serralves Collection 1989-2019 presents significant works from its collection or that occupy an important place in the genesis and history of the Serralves Collection and Museum. Either because they were part of the original set of works assembled to set up Serralves Museum and the Collection, or because they were specifically produced for Serralves (for the spaces of the Villa, Museum or other parts of the city commissioned by Serralves) or because their first public presentation was in Serralves or because they were part of major solo exhibitions (and remembered as key moments both in the artist’s career and the history of the institution).

    Works by Ana Jotta and Matt Mullican, among many other artists, will be part of the exhibition.

    More info.

  • Pieter Vermeersch: Genesis

    7 July — 29 September 2019


    Pieter Vermeersch is participating in the group show “Genesis” at the L.A.C. Narbonne. Next to his work, the exhibition is featuring works by Berlinde de Bruyckere, Petre Cupere, Ronny Delrue, Koen van den Broek, Stijn Cole, Renato Nicolodi, Wesley Meuris, Peter Buggenhout, Johan Tahon and Jonas Vansteenkiste.


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  • Pieter Vermeersch: Solo Show

    6 July — 21 September 2019


    The private art foundation NC-Arte is showing the first solo exhibition by Pieter Vermeersch in Colombia. NC-Arte, which is promoting national and international artists since 2010, invited Pieter Vermeersch to realize a site specific installation on this occasion.
    Color and light, time and space and the intersection of these intangible elements are the notions that have been explored by this Belgian artist since the very beginning of his career in the late nineties. This artistic research continues in expanding painting with the experimentation with new materials and into the architecture of the exhibition space. In Bogotá the artist will show a new series of paintings as part of a site specific installation, which is including several mural paintings.

    More info.

  • Jochen Lempert: Phenomenon Anafi 3

    1—14 July 2019


    Phenomenon is a biennial project for contemporary art held in the Aegean island of Anafi, Greece, taking place between 1-14 July 2019. Phenomenon 3 includes a residency with a series of performances, lectures, video screenings and other events (1-14 July) and an exhibition in outdoor and indoor spaces throughout the island (opening 6 July, until 14 July).
    For its third edition, Phenomenon will investigate the role of art in times of political urgency. By questioning singular points of view and naturalized concepts, art offers new ways of imagining a collective life, producing forms of social engagement, counteracting authoritarian and populist ideologies. They will be looking for strategies through art that enable encounters of differential forces and interests, circumvent constructed binary oppositions and realize the creative and political potential of the unstable in-between.
    Invited artists are Eva Barto, Jason Dodge, David Horvitz, Florence Jung, Stelios Kallinikou, Jochen Lempert, Eileen Myles, Deimantas Narkevičius, Vittorio Santoro and Paky Vlassopoulou​.

    More info.

  • Marc Nagtzaam: Regular Features

    29 June 2019


    A new artist book with text drawings by Marc Nagtzaam, made between 1992 and 2019. Complementary to the writings, 24 artists contributions on loose pages are inserted throughout the book. With contributions by Mark Manders, Louis Lüthi, Sue Tompkins, Stephan Keppel, Steve Van den Bosch, Nickel van Duijvenboden, Sophie Nys, Pierre Leguillon, Batia Suter, Experimental Jetset, Na Kim, Tim Hollander, Lily van der Stokker, Karin Herwegh, Karel Martens, Ruth Wolf-Rehfeldt, Kasper Andreasen, Jochen Lempert, gerlach en koop, Henri Jacobs, Anne-Mie Van Kerckhoven, Marijn van Kreij, and Willem Oorebeek. As a continuation of the first Roma Publication; (SOME) by Marc Nagtzaam, dating from 1998, this book marks the 20+ years anniversary of Roma Publications.

    The catalogue presentation takes place on Saturday, 29. 06.2019 between 5 and 8 pm at Nieuwe Herengracht 11 in Amsterdam.

    More info.

  • Allen Ruppersberg: Harald Szeemann – Grandfather A Pioneer Like Us

    28 June — 18 August 2019


    The Swiss Institute presents Grandfather: A Pioneer Like Us, a restaging of the 1974 exhibition by acclaimed curator Harald Szeemann (1933-2005), who is known for his innovative and radical approach to working with artists.
    This exhibition recreates Szeemann’s apartment in Bern, Switzerland, where he organized the original show, an all-consuming investigation of the life and work of his grandfather Étienne Szeemann, a famed hairstylist and inventor. Grandfather: A Pioneer Like Us, includes approximately 1,200 objects from the Getty Research Institute’s Harald Szeemann Archive and Library and private collections.
    Between them Allen Ruppersberg’s “Travel Piece” from 1969, which was also part of Szeemann’s legendary exhibition “When attitude becomes form”.

    More info.

  • Jochen Lempert: City Prince/sses, Dhaka, Lagos, Manila, Mexico City and Tehran

    21 June — 8 September 2019


    The exhibition City Prince/sses is presented as an imaginary, multiple and complex city, without borders, messy, staggering and creative: an unpredictable laboratory, which is always in motion and being (re)constructed. Visual artists, creators, fashion designers, experimenters, tattooists, musicians: a good fifty artists are presented without any geographical grouping, mostly via new productions and in situ interventions. Next to Jochen Lempert, there are works by artists like Juliette Blightman, Nina Canell, Josef Dabernig, Kate Newby, Willem de Rooij, Anna Schachinger, Michael E. Smith and many more on view.

    More info.

  • Pieter Vermeersch: Into Form

    20 June — 5 January 2019


    Drawn from the museum’s exceptional postwar holdings, Into Form examines the ways in which artists from the late 1950s to the present have sought to break boundaries by questioning representation and notions of medium specificity.
    Into Form brings together thirty-four works, created by a multi-generational group of artists, which investigate hybridity and challenge rigid notions of representation. A tension between organic and geometric abstraction runs throughout the exhibition, showing long-standing concerns to connect artistic practice to the body and to natural phenomena, as well as a desire to distill forms to their most essential expression.
    The selection includes works on paper, painting, sculpture, and video, demonstrating the depth and breadth of the Rose’s permanent collection.
    Next to a painting by Pieter Vermeersch, there are works by artists like Anni Albers, Haris Epaminonda, Alex Hubbard and Cy Twombly on view.

    More info.