Installation view: Sache: Gallery of Material Culture, Kunstverein Hannover, Germany, 2019
Installation view: Sache: Gallery of Material Culture, Kunstverein Hannover, Germany, 2019
The Effect of Redistribution Is Often Invisible, 2019
The Effect of Redistribution Is Often Invisible, 2019
C-prints
43,7 x 49,5 each
Installation view: Sache: Gallery of Material Culture, Kunstverein Hannover, Germany, 2019
Installation view: Sache: Gallery of Material Culture, Kunstverein Hannover, Germany, 2019
Installation view: Sache: Gallery of Material Culture, Kunstverein Hannover, Germany, 2019
Installation view: Sache: Gallery of Material Culture, Kunstverein Hannover, Germany, 2019
Installation view: Sache: Gallery of Material Culture, Kunstverein Hannover, Germany, 2019
Installation view: Kunststoff – Gallery of Material Culture, 2019
Installation view: Kunststoff – Gallery of Material Culture, 2019
KunstMuseum Winterthur
Installation view: Kunststoff – Gallery of Material Culture, 2019
Installation view: Kunststoff – Gallery of Material Culture, 2019
KunstMuseum Winterthur
Installation view: Kunststoff – Gallery of Material Culture, 2019
Installation view: Kunststoff – Gallery of Material Culture, 2019
KunstMuseum Winterthur
Installation view: Kunststoff – Gallery of Material Culture, 2018
Installation view: Kunststoff – Gallery of Material Culture, 2018
Wiels, Brussels, Belgium.
Installation view: Kunststoff – Gallery of Material Culture, 2018
Installation view: Kunststoff – Gallery of Material Culture, 2018
Transforming them into Analogies, 2015
Transgression Has its Entire Space in the Line it Crosses, 2018
Wiels, Brussels, Belgium.
Installation view: Kunststoff – Gallery of Material Culture, 2018
Installation view: Kunststoff – Gallery of Material Culture, 2018
Faux Blonde, 2016
Tête, 2016
Am I the Type That Stubbornly Waits for Something to Happen, 2014
Wiels, Brussels, Belgium.
Installation view: Kunststoff – Gallery of Material Culture, 2018
Installation view: Kunststoff – Gallery of Material Culture, 2018
Repressive Tolerance III, 2018
A sense of Inadequacy of One’s Own Understanding, 2018
Copyright: WIELS
Whirling, 2017
Whirling, 2017
Metal, paint, cord, thread
140 x 40 x 25
Unique
Installation view: A Formal Model - An Inhibition Show. Galerie Micheline Szwajcer, Brussels, Belgium
Own, 2016
Own, 2016
Painted wood
122 x 101x 46 cm
Unique
Installation view: A Formal Model - An Inhibition Show. Galerie Micheline Szwajcer, Brussels, Belgium
Installation view: There Is No Real Life, Only the Story of the Life We Are Currently Living, ProjecteSD, Barcelona, 2015
Installation view: There Is No Real Life, Only the Story of the Life We Are Currently Living, ProjecteSD, Barcelona, 2015
A Consensus-based, Consumer-driven service, 2012
A Consensus-based, Consumer-driven service, 2012
Wood, metal, plastic
195 x 30 x 30 cm
Unique
Installation view: There Is No Real Life, Only the Story of the Life We Are Currently Living, ProjecteSD, Barcelona, 2015
Installation view: There Is No Real Life, Only the Story of the Life We Are Currently Living, ProjecteSD, Barcelona, 2015
The Rules of Solid Matter Do Not Entirely Apply, 2014
The Rules of Solid Matter Do Not Entirely Apply, 2014
2 projections of 33 and 46 slides
Variable dimension
Unique
The Rules of Solid Matter Do Not Entirely Apply, 2014 (detail)
The Rules of Solid Matter Do Not Entirely Apply, 2014 (detail)
The Meaningless of Things Makes Me Smile Complacently, 2014
The Meaningless of Things Makes Me Smile Complacently, 2014
Painted metal, Christel and Christel Holmgren's cast iron candle holder of 1970 ed. by Illums Boligus candle
Metal holder: 102,5 cm
Candle holder without candle: 14 x 22 cm
Unique
A Situation in Which a Small Number of Things Have a Large Impact and a Large Number of Things Have a Small Impact, 2014
A Situation in Which a Small Number of Things Have a Large Impact and a Large Number of Things Have a Small Impact, 2014
Candle, spray painted metal
65 x 155 x 45 cm
Unique
The Impact and the Evidence for the Impact, 2015
The Impact and the Evidence for the Impact, 2015
Spray painted steel, 7 double postcards
28 x 54 x 43 cm
Unique
Such Incontinent Display of Emotions, 2015
Such Incontinent Display of Emotions, 2015
Spray painted metal, marker
52,5 x 33,5 x 10 cm
Unique
Blessedly Devoid of Morals, 2015
Blessedly Devoid of Morals, 2015
Soap, spray painted metal, plug
26 x 4 x 21 cm
Unique
Something Exists in the World that Is Not Mankind, 2015
Something Exists in the World that Is Not Mankind, 2015
Soap, spray painted metal, plug
26 x 4 x 21 cm
Unique
A Membrane Between the Actual and the Virtual Worlds Is Especially Leaky, 2014
A Membrane Between the Actual and the Virtual Worlds Is Especially Leaky, 2014
Pigment print on archival paper, spray painted metal, magnets
120 x 130 x 110 cm
Unique
A Membrane Between the Actual and the Virtual Worlds Is Especially Leaky, 2014 (detail)
A Membrane Between the Actual and the Virtual Worlds Is Especially Leaky, 2014 (detail)
Transforming Them into Analogies, 2015
Transforming Them into Analogies, 2015
Books, wooden shelf
203 x 100 x 54,5 cm
Unique
Objects Exist Independently of Human Perception, 2015
Objects Exist Independently of Human Perception, 2015
2 digital prints
29,7 x 42 x 4 cm
Ed. 3 + 1 AP
Installation view: The Desperate, Furiously Positive Striving of People Who Refuse to Be Dismissed, Extra City Kunsthal, Antwerpen, 2014
Installation view: The Desperate, Furiously Positive Striving of People Who Refuse to Be Dismissed, Extra City Kunsthal, Antwerpen, 2014
Amazed Knowledge in a Frenetic Race Against Death that Death Must Win, 2013
Amazed Knowledge in a Frenetic Race Against Death that Death Must Win, 2013
Installation view: 9ª Bienal do Mercosul, Porto Alegre, Brazil, 2013
Obsolete Instruments of State or Commerce, 2011
Obsolete Instruments of State or Commerce, 2011
Laminated wood, metal
178 x 111 x 70 cm
Unique
Ideas Can Be Thought, 2011
Ideas Can Be Thought, 2011
Metal, enamel, light bulb, magnets and digital print on
paper
92 x 60 x 27,5 cm
Unique work
Instincts are Ahead of the Mind, 2011
Instincts are Ahead of the Mind, 2011
Wooden table, metallic base, paper
86 x 101 x 67 cm
Unique
Contemporary is the Man, not Style, 2011
Contemporary is the Man, not Style, 2011
Pigment print on cotton paper
180 x 118 cm
Ed. 5 + 1 AP
It’s Only as Clear as it Image Gets, 2010
It’s Only as Clear as it Image Gets, 2010
Recto-verso print on paper
70 x 100 cm
Ed. 5 + 1 AP
You Sing about what I Made, 2011
You Sing about what I Made, 2011
26 Slides projection, 6 x 7 format
Variable dimension
Ed. 3 + 1 AP
You Sing about what I Made, 2011
You Sing about what I Made, 2011
26 Slides projection, 6 x 7 format
Variable dimension
Ed. 3 + 1 AP
Installation view: Workmanship of Certainty, Centre d’art contemporain d’Ivry – le Crédac, Ivrysur-Seine, France, 2013
Installation view: Workmanship of Certainty, Centre d’art contemporain d’Ivry – le Crédac, Ivrysur-Seine, France, 2013
Ghiberti (for V.P.), 2013
Ghiberti (for V.P.), 2013
Wood
373 x 373 x 24 cm
Unique
Installation view: You Export Reality to Where It Is You Get Your Money From, De Vleeshal, Middelburg, The Netherlands, 2013
Installation view: You Export Reality to Where It Is You Get Your Money From, De Vleeshal, Middelburg, The Netherlands, 2013
Installation view: Formidable Savage Repressiveness, Lok / Kunstmuseum St.Gallen, Switzerland, 2012
Installation view: Formidable Savage Repressiveness, Lok / Kunstmuseum St.Gallen, Switzerland, 2012
Installation view: A Privilege of Autovalorization, Culturgest, Lisbon, Portugal, 2010
Installation view: A Privilege of Autovalorization, Culturgest, Lisbon, Portugal, 2010
Installation view: A Privilege of Autovalorization, Culturgest, Lisbon, Portugal, 2010
Installation view: A Privilege of Autovalorization, Culturgest, Lisbon, Portugal, 2010
Getting It Together, 2007
Getting It Together, 2007
Steel, paint, mirrors, wood, stone and beer crate
150 x 400 x 95 cm
Unique
The Future of Littleness, 2012
The Future of Littleness, 2012
Metal, paint, cord, thread
76 x 47 x 84 cm
Unique
Appropriation of the methodologies / Discourse of critical assessment, 2010
Appropriation of the methodologies / Discourse of critical assessment, 2010
Linoleum, wood, formica, enamel
Variable dimensions
Unique
Liberty of Indiference, 2010
Liberty of Indiference, 2010
Linoleum and wood
100 x 13 x 7,5 cm
Unique
Installation view: Boredom Won’t Starve as Long as I Feed it, Museum Haus Esters, Krefeld, 2009
Installation view: Boredom Won’t Starve as Long as I Feed it, Museum Haus Esters, Krefeld, 2009
Assertions that Supposedly Fuse Together, Eventually, 2009
Assertions that Supposedly Fuse Together, Eventually, 2009
Pre-cast concrete
40 x 58 x 105 cm
Unique
From Dissent to Resistance, 2009
From Dissent to Resistance, 2009
Steel, concrete, enamel spray paint
225 x 250 x 160 cm
Unique
Half way around the corner, 2008
Half way around the corner, 2008
Metal, black lacquer, wood
120 x 90 x 160 cm
Unique
Installation view: Un-Scene, Wiels, Brussels, 2008
Installation view: Tight, Repeating Boredom (with Rita McBride), Frac Bourgogne, Dijon, 2008
Installation view: Tight, Repeating Boredom (with Rita McBride), Frac Bourgogne, Dijon, 2008
Steady Diet of Nothing, 2007
Steady Diet of Nothing, 2007
Metal, paint, electronics, 3 light bulbs, lanterns
Variable dimensions
Unique
Installation view: La liberté d’erreur, Galerie Micheline Szwajcer, 2007
Size too small, 2007
Size too small, 2007
Wood, latex paint
Variable dimensions
Unique
Installation view: La liberté d’erreur, Galerie Micheline Szwajcer, 2007