• Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD | Accrochage #3: Footnote nº 10 | ProjecteSD

    Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD

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  • PETER PILLER. Noch ist nichts zu sehen, 1998 | Accrochage #3: Footnote nº 10 | ProjecteSD

    PETER PILLER. Noch ist nichts zu sehen, 1998

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  • PETER PILLER. Noch ist nichts zu sehen, 1998 | Accrochage #3: Footnote nº 10 | ProjecteSD

    PETER PILLER. Noch ist nichts zu sehen, 1998

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  • HANS-PETER FELDMANN. Time Series – Ship on the Rhine, 1970’s | Accrochage #3: Footnote nº 10 | ProjecteSD

    HANS-PETER FELDMANN. Time Series – Ship on the Rhine, 1970’s

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  • HANS-PETER FELDMANN. Time Series – Ship on the Rhine, 1970’s (Detail) | Accrochage #3: Footnote nº 10 | ProjecteSD

    HANS-PETER FELDMANN. Time Series – Ship on the Rhine, 1970’s (Detail)

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  • Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD | Accrochage #3: Footnote nº 10 | ProjecteSD

    Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD

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    Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD

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  • PATRICIA DAUDER. Monument, 2017 | Accrochage #3: Footnote nº 10 | ProjecteSD

    PATRICIA DAUDER. Monument, 2017

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  • Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD | Accrochage #3: Footnote nº 10 | ProjecteSD

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  • GILDA MANTILLA & RAIMOND CHAVES. S/T, 2011 | Accrochage #3: Footnote nº 10 | ProjecteSD

    GILDA MANTILLA & RAIMOND CHAVES. S/T, 2011

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    Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD

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    Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD

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  • KOENRAAD DEDOBBELEER. A Membrane Between the Actual and the Virtual Worlds Is Especially Leaky, 2014 | Accrochage #3: Footnote nº 10 | ProjecteSD

    KOENRAAD DEDOBBELEER. A Membrane Between the Actual and the Virtual Worlds Is Especially Leaky, 2014

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  • Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD | Accrochage #3: Footnote nº 10 | ProjecteSD

    Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD

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  • XAVIER RIBAS. And the Far Silence of Brooding Star Time, 2013 | Accrochage #3: Footnote nº 10 | ProjecteSD

    XAVIER RIBAS. And the Far Silence of Brooding Star Time, 2013

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  • Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD | Accrochage #3: Footnote nº 10 | ProjecteSD

    Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD

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  • ANA JOTTA. Footnote #10, 2016 | Accrochage #3: Footnote nº 10 | ProjecteSD

    ANA JOTTA. Footnote #10, 2016

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  • ANA JOTTA. Footnote #10, 2016 (Detail) | Accrochage #3: Footnote nº 10 | ProjecteSD

    ANA JOTTA. Footnote #10, 2016 (Detail)

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  • Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD | Accrochage #3: Footnote nº 10 | ProjecteSD

    Installation view: Accrochage #3: Footnote Nº 10, ProjecteSD

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  • DORA GARCÍA. Attempts to Forge a Letter from Joyce to Ibsen in 1901 Nº 12, 2015 | Accrochage #3: Footnote nº 10 | ProjecteSD

    DORA GARCÍA. Attempts to Forge a Letter from Joyce to Ibsen in 1901 Nº 12, 2015

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    DORA GARCÍA. Attempts to Forge a Letter from Joyce to Ibsen in 1901 Nº 12, 2015 (Detail)

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Accrochage #3: Footnote nº 10

Exhibition: 30.08.2017 - 16.09.2017

Accrochage # 3: Footnote Nº 10 brings together a number of artworks around the notion of the “document”. Far from trying to review the meaning, use, purpose, quality, or function of the document in art practice, the exhibition offers a free view of how this concept is touched by a few artists through works where they play with, use, alter, collect or edit materials of miscellaneous nature.