• There Is No Real Life, Only the Story of the Life We Are Currently Living, ProjecteSD, Barcelona | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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  • The Impact and the Evidence for the Impact, 2015 | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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  • Hoping that the Principles of the Revolution Would Survive the Crimes of Individuals, 2015 | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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  • The Meaningless of Things Makes Me Smile Complacently, 2014 | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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  • A Consensus-based, Consumer-driven service, 2012 | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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  • Cactus (Orlando) [by Valerie Mannaerts], 2013 | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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  • Something That Exists in One Region but Hangs into Another One, 2015 | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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  • I Cultivate a Certain Tendium. That’s How I Savor Every Loathsome Minute, 2014 | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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  • Transforming Them into Analogies, 2015 | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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  • Blessedly Devoid of Morals, 2015 | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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  • A Condemnation of the Metaphor As Essentially Antropocentric, 2015 | There Is No Real Life, Only The Story Of The Life We Are Currently Living | ProjecteSD

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Koenraad Dedobbeleer

There Is No Real Life, Only The Story Of The Life We Are Currently Living

Opening: 12.02.2015, 19.00 H.
Exhibition: 13.02.2015 - 4.04.2015

For his third exhibition at ProjecteSD, Dedobbeleer brings together a constellation of recent sculptural works. Replicas of design classics and multiple references to art works, books, and images are displayed in the gallery exhibition space. Some sculptures are inserted in the gallery working office area, as if they were everyday use objects. In some cases, ensembles or small installation setups, where one work intersects with another, are proposed by the artist. Through his formal and spatial inventiveness, in a striking combination of daily life utensils and art-making, Dedobbeleer composes both a tangible and abstract picture about the recent history and aesthetic possibilities of sculpture. There Is No Real Life, Only the Story of the Life We Are Currently Living should be experienced as a privileged walk into Koenraad Dedobbeleer’s cosmos, into his work as an artist and at the same time into the references which nourish his artistic thinking.