• Untitled (5 Lecture Boards), 2018 | Representing The Work | ProjecteSD

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  • Untitled (5 Lecture Boards), 2018 (Detail) | Representing The Work | ProjecteSD

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  • Untitled (269 words from the birth to death list), 2018 | Representing The Work | ProjecteSD

    Untitled (269 words from the birth to death list), 2018

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  • Untitled (269 words from the birth to death list), 2018 (Detail) | Representing The Work | ProjecteSD

    Untitled (269 words from the birth to death list), 2018 (Detail)

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  • Untitled (269 words from the birth to death list), 2018 (Detail) | Representing The Work | ProjecteSD

    Untitled (269 words from the birth to death list), 2018 (Detail)

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  • Installation view: Representing The Work, ProjecteSD | Representing The Work | ProjecteSD

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  • Untitled (signs from cosmology), 2018 | Representing The Work | ProjecteSD

    Untitled (signs from cosmology), 2018

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  • Untitled (signs from cosmology), 2018 (Detail) | Representing The Work | ProjecteSD

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  • Installation view: Representing The Work, ProjecteSD | Representing The Work | ProjecteSD

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  • Untitled (Notating the notebooks from the Archive of American Art), 2018 | Representing The Work | ProjecteSD

    Untitled (Notating the notebooks from the Archive of American Art), 2018

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  • Untitled (Notating the notebooks from the Archive of American Art), 2018 (Detail) | Representing The Work | ProjecteSD

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  • Untitled (Notating the notebooks from the Archive of American Art), 2018 (Detail) | Representing The Work | ProjecteSD

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  • Installation view: Representing The Work, ProjecteSD | Representing The Work | ProjecteSD

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  • Untitled (Board for Representing the work), 2018 | Representing The Work | ProjecteSD

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  • Installation view: Representing The Work, ProjecteSD | Representing The Work | ProjecteSD

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  • Untitled (Details from imaginary universe), 2018
  | Representing The Work | ProjecteSD

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  • Installation view: Representing The Work, ProjecteSD | Representing The Work | ProjecteSD

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  • Untitled (Birth to death list), 2018 | Representing The Work | ProjecteSD

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  • Installation view: Representing The Work, ProjecteSD | Representing The Work | ProjecteSD

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  • Untitled (Photographs), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Kunstmuseum Luzern), 1993/2018 | Representing The Work | ProjecteSD

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  • Untitled (Chart Nr.1), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Chart Nr.2), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Signs from the Magasin banners), 2018 | Representing The Work | ProjecteSD

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  • Untitled (All I see are light patterns), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Man broken up), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Details from fictional realities), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Performance at Tate), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Notebook), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Lecture Performance at Franklin Furnace), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Studio), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Chart 82/83), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Chart 82/83), 2018 | Representing The Work | ProjecteSD

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  • Untitled (Chart 82/83), 2018 (Detail) | Representing The Work | ProjecteSD

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Matt Mullican

Representing The Work

Opening: 16.11.2018, 19.00 H.
Exhibition: 17.11.2018 - 12.01.2019

Matt Mullican’s work is the product of a detailed, near-obsessive introspection, devised as an elaborate attempt to duplicate externally the vast complex of inner representations which add up to his understanding of the world he lives in. Through the use of all conceivable media — drawings, readings, performances, rubbings, posters, signs, sculptures, animations, banners, etc., Matt Mullican has undertaken to re-create a multidimensional picture, a comprehensive project towards the goal of representing his world. And to do that he works to reconstruct it in every aspect, piece by piece, detail to detail. He constructs, assimilates, disintegrates, modifies, accumulates to deliver a complex, poignant and sometimes wondrous, but always fascinating oeuvre.

Text extracted from Matt Mullican’s World by Allan McCollum, 1979, originally published in Reallife Magazine New York, Winter 1980.